Robert Lypsyte
When and why did you begin writing and/or illustrating children's books?
In 1965, while I was a boxing reporter for the New York Times, I wrote a novel, “The Contender,” about a teen-aged Harlem high school drop-out who finds discipline and confidence learning to box (without becoming a great boxer.). Ursula Nordstrom, who was inventing the genre at Harper & Row, made it into a YA novel. The reaction from readers, the sense that I had touched lives, was thrilling, to this day far surpassing the reaction to my adult fiction, non-fiction, and journalism. It’s why I’m still writing middle-grade and YA fiction.
What inspires or informs your writing and/or art?
I keep wanting to reach back and tell that fat, uncertain, bookish 13-year-old boy I was to hang in there, it’s going to work out if he just keeps reading and punching.
What do you want young readers to learn or take away from your work?
That reading is fun.
Is there an artist or writer you would consider and mentor and why?
I’ve had great editors as mentors – Ursula Nordstrom, Ferd Monjo, Charlotte Zolotow, Robert Warren, Ruth Katcher, and now Dinah Stevenson – and two towering YA writers as role models – Robert Cormier and Judy Blume.
Did you have any formal writing or art education, if so, where?
I was an English major in college, I have an M.S. in Journalism.
Do you have a favorite published book? If so, what makes it special?
I love them all for different reasons –to cite a few, “The Contender” was the first, “One Fat Summer” (soon to be a movie) was the most autobiographical, “Raiders Night,” was the toughest, and “The Twinning Project,” is the newest.